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Thomas Daniel Schlee’s 60th birthday

His work as a composer, organist, musicologist and culture manager makes Thomas Daniel Schlee one of the most versatile personalities in musical life today. Olivier Messiaen gave his former pupil a brilliant endorsement: “Thomas Daniel Schlee is an open spirit and a cultured man. He loves music passionately. He is an outstanding organist and an extremely gifted composer. His works reflect a high intellectual striving and a true originality with regard to their ‘écriture’ and sound colours.” His forthcoming 60th birthday on 26 october is marked by numerous performances of his compositions, including the Austrian premiere of  Spes unica op. 72 by the RSO Vienna under Cornelius Meister on 19.10.2017 in the Konzerthaus Wien, and the first performance of his Suite op. 82 on 24.10.2017 in the Musikverein Vienna as well as Bis by the Bamberg Symphony under Manfred Honeck on 18. and 19.11.2017.

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What do we really need? Charlotte Seither’s “Oculi” for women’s voices

Charlotte Seither’s Oculi for women’s voices are a musical reflection on covetousness.  The Guardini Foundation’s “Decalogue” is devoted to the Ten Commandments in a cycle which has extended over several years. For its conclusion, Charlotte Seither has composed a commission on the Tenth Commandment. The first performance takes place on 13./16.10.2017 in the Kulturkirche St. Matthäi in Berlin with the Frauenvokalensemble Berlin under the direction of Lothar Knappe.

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Flexible concepts. Miroslav Srnka‘s new string quartet

Music for strings is a continuous field of experimentation for Miroslav Srnka, one in which he explores complex structures. He has again written his new String Quartet for the Quatuor Diotima, which premieres the work at the “Biennale de Quatuors à cordes” in Paris. In this work, Srnka analyses the traditional roles of the structure of the musicians’ parts. He calls it future family, a hint about the conception of the work: “Are the instruments in the string quartet just voices and the musicians just roles? Can the musicians become voices and the instruments take roles?” The première on 15 January is followed by further territorial premieres on 24/25 January in Brussels and at the String Quartet Festival Heidelberg.

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A journey with an uncertain ending. Jean Barraqué’s “Musique de scène”

In 1958 Jean Barraqué composed music for a project for the ‘Theatre of the Absurd’ which never made it to the stage. 60 years later it is now finally receiving its première in Vienna.

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Dramatic instrumental: Scartazzini’s String Quartet No. 1

Andrea Lorenzo Scartazzini has composed his first String Quartet for the Quatuor Diotima. The Swiss composer, a genuine dramatist who has concentrated on music theatre and vocal music in his work to date, has conceived his quartet as a musical narrative. The first performance takes place on 24.10.2017 in Basel in the Oekolampad Church with the Quatuor Diotima, followed by performances in Orléans, Arras and Bern. Before that, on 15.10.2017, Scartazzini’s ensemble work Kassiopeia receives its German premiere in the Philharmonie Cologne, given by the Ensemble Modern conducted by Paul Daniel.

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Opera is dead, long live opera!

It’s very much alive, the art form of opera. Contemporary music theatre fills the theatres, like grand opera for a large audience.

 

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Philipp Maintz’s orchestral piece “hängende gärten” in Berlin

Philipp Maintz has composed hängende gärten for large orchestra for the Deutsches Symphonie-Orchester Berlin – an evocative allusion to the gardens of Babylon which Nebuchadnezzar II had built for his wife Semiramis. “It is precisely this image which for me best fits with the idea of this orchestral piece”, says the composer: “a park in which you can plant, garden, tend and see plants growing (yes, actually write ‘music from music’) – yet also a ‘garden of longing’ in which things should flower beautifully, but also run wild.” The first performance is on 28 May 2017 in the Philharmonie Berlin conducted by Christoph Eschenbach.

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Contemporary music

Sounding space for the existential. New orchestral works
All at once! And plenty of it! Philipp Maintz and the organ
Sensual, doleful, emotional. Andrea Lorenzo Scartazzini's “Dies illa” for Basel
Saved from silence. The new setting of Heinz Winbeck’s 1st Symphony “Tu solus”
The individual and the collective. Miroslav Srnka’s “Superorganisms” for Tokyo
A harpsichord concerto! Miroslav Srnka’s new work for Mahan Esfahani
Beat Furrer explores the secret life of things
“Sixty years in the groove: Dieter Ammann”
“Singularity” – Miroslav Srnka’s Space Opera
Tireless progress. The death of the Swiss composer Rudolf Kelterborn
Andrea Lorenzo Scartazzini’s orchestral work to complement Mahler’s 4th Symphony
Premiere in Bregenz: Ľubica Čekovská’s “Impresario Dotcom”
Gold, silver, purple. Matthias Pintscher completes his “Shirim” cycle
Mahler’s spirits. Andrea Lorenzo Scartazzini’s “Spiriti” for orchestra
Between north and south. On 22 October Manfred Trojahn celebrates his 70th birthday
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