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New works by Charlotte Seither

Charlotte Seiter has composed “zu welcher stunde” [“at which hour”] for orchestra for a musical journey through time by the Mitteldeutsche Kammerphilharmonie. The title of the concert in Stendal on 28 April 2022 is “1831 – Die Abschiedsstunde” [“The parting hour”], and combines the Seither premiere with works by Haydn, Krommer and Pleyel. “Paintings” for five-part chamber choir is a commission for the anniversary concert of the LandesJugendChor Rheinland-Pfalz, and receives its world premiere on 23 April in the Christuskirche Mainz conducted by Jan Schumacher. Choral music is an important focus of the composer’s work: “klanghalt”, a particularly appealing project, was written for the St. Gallen Chamber Choir. A spatial composition for vocal ensemble and three percussionists will be premiered in the cloister of the St Katharina Monastery, conducted by Katharina Jud on 21 May 2022.
(Photo: Marko Bussmann)

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Contemporary music

All at once! And plenty of it! Philipp Maintz and the organ
Sensual, doleful, emotional. Andrea Lorenzo Scartazzini's “Dies illa” for Basel
Premieres of Works by Andrea Lorenzo Scartazzini
The individual and the collective. Miroslav Srnka’s “Superorganisms” for Tokyo
A harpsichord concerto! Miroslav Srnka’s new work for Mahan Esfahani
Beat Furrer explores the secret life of things
Premieres by Andrea Lorenzo Scartazzini
“Sixty years in the groove: Dieter Ammann”
Beat Furrer: premieres in Donaueschingen and Vienna
“Singularity” – Miroslav Srnka’s Space Opera
Tireless progress. The death of the Swiss composer Rudolf Kelterborn
Andrea Lorenzo Scartazzini’s orchestral work to complement Mahler’s 4th Symphony
Premiere in Bregenz: Ľubica Čekovská’s “Impresario Dotcom”
Gold, silver, purple. Matthias Pintscher completes his “Shirim” cycle
Mahler’s spirits. Andrea Lorenzo Scartazzini’s “Spiriti” for orchestra
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