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„Il Xerse“ by Francesco Cavalli at the Festival della Valle d’Itria

83 years before George Frideric Handel’s opera „Serse“ was premiered, Francesco Cavalli had opened his dramma per musica „Il Xerse“ with the very same verses. The work very probably received its first performance on 12 January 1655 in Venice. The text was by Cavalli’s preferred librettist Nicolò Minato, whose work was revised by Silvio Stampiglia, the version also used by Handel. Cavalli’s original version of “Serse” quickly established itself in Italy and was even performed in France for Louis XIV in 1660, but today it is little known. On 25 July there is a thrilling opportunity to rediscover this opera at the Festival della Valle d’Itria in Martina Franca, Apulia, perhaps comparing it with Handel’s setting. Director Leo Moscato and conductor Federico Maria Sardelli, with his early music ensemble “Il modo antiquo”, perform „Il Xerse“ for the first time using the new critical edition from the „Opere di Franceso Cavalli“.

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Drama and passion. Christoph Willibald Gluck’s opera „Antigono“

Gluck, „a young man of the highest abilities and a fiery spirit“, composed his opera „Antigono“ for Rome. In July this thrilling stage work can be heard once again in Bayreuth.

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“Violetter Schnee”: Beat Furrer’s new opera for the Berlin Staatsoper

Schnee, kosmische Kälte: In Beat Furrers neuer Oper „Violetter Schnee“ sind fünf Menschen in einem Haus auf dem Weg in unbekanntes Terrain. Am 13. Januar 2019 wird sie an der Berliner Staatsoper uraufgeführt.

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Comedy and musical verismo. Perspectives on composing in Ermanno Wolf-Ferrari

Of Ermanno Wolf-Ferrari’s works only “I quattro rusteghi” (The Four Ruffians) is really well-known, but other operas are also well worth rediscovering, for example “La vedova scaltra” and “Sly”.

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Maurel, Sonzogno, and the New Critical Edition of Leoncavallo’s „Pagliacci“

Baritone Victor Maurel and publisher Edoardo Sonzogno each contributed to the immensely successful “Pagliacci”. The new critical edition reveals the connections and leaves the choice up to the performers.

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Opera as evolutionary process. The pasticcio “Love in a Village” and its creation

“Love in a Village” has now been released as part of the ambitious “OPERA” publishing project. In the 18th century it was number one in the British Isles, but is now almost forgotten.

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In love with a statue. Rameau’s ballet “Pigmalion” in the Complete Edition

Enchanting music to one of the most touching classical plots – that is Jean-Philippe Rameau’s “Pigmalion”. The ballet is now available in an authoritative edition.

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Deutsch wechsle zu deutsch

Music theatre

Typically French. The “Faust” works by Berlioz and Gounod
A crazy idea. Bohuslav Martinů’s comic opera “Alexandre bis”
“Leonore”: Beethoven’s unknown “Fidelio”. The new edition of the 1805 version
Can this turn out well? Love between enemies in Rameau’s “Les Fêtes de Ramire”
Orpheus and Euridice. The drama about the power of singing, about love and death
Counterpoint and theatrical instinct. Four new editions of works by Conti
Full of dramatic and psychological intensity Jean-Baptiste Lully’s opera “Psyché”
Gluck’s ballet music to “L’Île de Merlin”
Deadly Encounters. Miroslav Srnka’s new opera “Voice Killer”
Of wood and angels of lizards. Beat Furrer’s opera “DAS GROSSE FEUER” for Zurich
Joseph Haydn’s operas offer something for every taste
Celestial twin love. The first version of Rameau’s opera “Castor et Pollux”
“Simply brilliant!” Marco Comin edits the music of Francesco Bartolomeo Conti
Egyptian flair in Fontainebleau. Rameau’s opera “La Naissance d’Osiris”
“Carmen” under the magnifying glass. The potential of different versions
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