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Music theatre

Richer than ever. Rameau’s “Zoroastre” in the 1756 version

Not just “Carmen”: the new editorial project “Bizet’s Other Operas”

Conquest opera - Gaspare Spontini’s “Fernand Cortez”

Pyotr Tchaikovsky’s “Eugene Onegin” from Bärenreiter

Surprise of surprises – Rameau’s “Surprises de l’amour”

“La clemenza di Tito” – even with social distancing

Theatrically rich with varied chorus and dance scenes - Telemann’s opera for Hamburg “Die wunderbare Beständigkeit der Liebe oder Orpheus”

Magnificent music and drama - A conversation with René Jacobs about Telemann’s opera “Orpheus”

Jean-Philippe Rameau’s “Les Fêtes d’Hébé ou Les Talents lyriques”

Erotic, mystical, nightmarish - Jules Massenet's opera “Thaïs” available for the first time in a scholarly-critical edition

“Singularity” – Miroslav Srnka’s Space Opera

Charles Gounod’s “Faust“ in the dialogue version of 1859 at Oper Köln

Le retour à la vie – Summer Festivals 2021

Premiere in Bregenz: Ľubica Čekovská’s “Impresario Dotcom”

“My music is fundamentally political in expression” - Paul Dessau’s operatic output