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Cleansed of earlier mistakes and assumptions. Antonín Dvořák’s VIIIth Symphony

Previous editions of Antonín Dvořák’s VIIIth Symphony have errors in many details. Jonathan Del Mar’s new edition now offers a very high degree of reliability.

 

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The second version of Symphony No. 4 in the New Anton Bruckner Complete Edition

Bruckner’s “Romantic” Symphony is one of his best-known works. The new critical edition is based for the first time on all the surviving manuscript sources and reconstructs the version of the first performance of 1881.

 

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New aspects on the interpretation of Mendelssohn’s Violin Concerto in E minor

In order to perform music of earlier centuries authentically, performers need to be familiar with the performance conventions of the day. A sensational discovery alters our view of Mendelssohn’s Violin Concerto.

 

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Johann Joseph Rösler’s rediscovered Piano Concerto in E flat major

After his death, Johann Joseph Rösler was almost completely forgotten. But his Piano Concerto in E flat deserves a revival. The new edition from Bärenreiter Praha will contribute to this.

 

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Georg Anton Benda‘s “Medea” – first performance with Katharina Thalbach

The master concerts associated with the Heidenheim Opera Festival present a very special event this autumn: the well-known German actress Katharina Thalbach will play the (spoken) title role in Georg Anton Benda’s famous melodrama “Medea”, accompanied by the Cappella Aquileia under the direction of Marcus Bosch. The concert on 27 October in the Congress Zentrum Heidenheim, repeated on 28 October in Fürth, is at the same time the first performance using the critical new edition published by Bärenreiter. Benda’s “Medea” will be heard in the previously unknown late Mannheim version of 1784, which is in many respects more effective. The edition has been edited for the first time by Jörg Krämer for the series “OPERA – Spectrum of European Musical Theatre in Separate Editions.” (Picture: Eugène Delacroix, Medea kills her children (1862), Louvre Paris)

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With choir or soloists. Handel’s “Te Deum” of 1718

Amongst Handel’s sacred works, the “Te Deum” for James Brydges at Cannons is one of the least well-known. Now its publication in the Complete Edition enables authentic performances to be given once more.

 

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Each work tells a different story. Claude Debussy in Bärenreiter Urtext editions

Debussy’s frequently-performed orchestral works need a reliable Urtext edition, one which also incorporates performing traditions. The editions by Douglas Woodfull-Harris for Bärenreiter fulfil this need.

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Deutsch wechsle zu deutsch

Orchestra

Gabriel Fauré and the Orchestra: A Re-evaluation
Sensual, doleful, emotional. Andrea Lorenzo Scartazzini's “Dies illa” for Basel
Infectious enthusiasm. In Memoriam: Carl Davis CBE
Ancient myth for the concert hall. Georg Friedrich Handel's "Semele"
The Triumph of Time and Truth. Handel's "Il trionfo del Tempo e della Verità"
In Honor of the Saints of Music. Handel's second Cecilian Ode
Johann Sebastian Bach’s St. John Passion of 1725
Premieres of Works by Andrea Lorenzo Scartazzini
The individual and the collective. Miroslav Srnka’s “Superorganisms” for Tokyo
Ut Orpheus, now distributed by Alkor
A new attempt. Michael Ostrzyga‘s completion of Mozart‘s Requiem
A harpsichord concerto! Miroslav Srnka’s new work for Mahan Esfahani
Le retour à la vie – Summer Festivals 2021
“Super flumina Babylonis”. A rediscovered choral work by Camille Saint-Saëns
Andrea Lorenzo Scartazzini’s orchestral work to complement Mahler’s 4th Symphony
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