Philipp Maintz has focussed more intensively on the organ in his output in recent years. In a conversation, reproduced here in excerpts, he answered questions from his editor Robert Krampe.

Composer and conductor Carl Davis CBE passed away on 3 August 2023 in Oxford at the age of 87. A true musical polymath, Davis created soundtracks for some of Britain's best-loved screen dramas. He was the driving force behind the reinvention of silent movies in concert, and composed a substantial body of internationally acclaimed ballet and concert works.

The rental material of the renowned music publisher Ut Orpheus Edizioni, founded and based in Bologna in 1993, will now be distributed worldwide by Alkor-Edition, with the exception of Italy. The attractive catalogue, dedicated primarily to early music, includes the complete editions of Francesco Geminiani, Luigi Boccherini (portrait) and Muzio Clementi. Of particular interest is the “Napoli e l‘Europa” series initiated by Riccardo Muti, featuring previously unpublished operas and oratorios of the Neapolitan School, including “I due Figaro” by Saverio Mercadante and “Demofoonte” by Niccoló Jommelli, A real gem is the Dramma per musica “Francesca da Rimini” by Saverio Mercadante (1795–1870), premiered in 2016 at the Festival della Valle d'Itria Martina Franca. It will be performed for the first time beyond the Alps in the current season as a co-production of the Tiroler Festspiele Erl and Oper Frankfurt, in Erl from 28 December 2022, in Frankfurt from 26 February 2023.

The new production of the opera “Lanzelot” in Weimar was hailed as a “sensation” and a “rediscovery of the first rank”. Four other operas by Paul Dessau await a revival on the stage.

On 22 October Manfred Trojahn celebrates his 70th birthday. Although is too early for an assessment of his life and work, Gerhard R. Koch traces some of the directions and milestones in the composer’s work.

Songs for voice and piano are a constant thread running through Manfred Trojahn’s output. In an interview he reveals his thoughts about setting poetry to music: „to change, without damaging“.

Christoph Prégardien is widely regarded as one of the foremost lyric tenors of our time. In particular, it is his achievements as a lieder singer that are highly acclaimed. Firmly established in his recitals and in his work as a teacher at Hochschule für Musik und Tanz Kölnis the cosmos of Franz Schubert’s lieder. Claudia Mücke had a lengthy talk with Prégardien – about singing art songs, about singing lessons, about the importance of editions and, of course, about the genius of Franz Schubert.