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Opera as evolutionary process. The pasticcio “Love in a Village” and its creation

“Love in a Village” has now been released as part of the ambitious “OPERA” publishing project. In the 18th century it was number one in the British Isles, but is now almost forgotten.

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In love with a statue. Rameau’s ballet “Pigmalion” in the Complete Edition

Enchanting music to one of the most touching classical plots – that is Jean-Philippe Rameau’s “Pigmalion”. The ballet is now available in an authoritative edition.

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Donizetti’s “Caterina Cornaro” at the Klangvokal Musikfestival Dortmund

It is hard to believe, but Gaetano Donizetti’s lyrical tragedy, premiered in 1844 in Naples, has never before been performed in a German opera house. The story deals with the Queen of Cyprus, who came from a noble Venetian family, and the work is full of entrancingly beautiful, almost soulful music. The Klangvokal Musikfestival, always ready to push the boundaries, is now including this operatic rarity in its programme. It will be performed on 11 June 2022 in the Konzerthaus Dortmund with hand-picked vocal soloists and the Rundfunkchor and Funkhausorchester conducted by Giacomo Sagripanti. The Stadttheater Gießen is going a step further and presents “Caterina Cornaro” on 27 November 2022 as the first staged performance in German-speaking countries, directed by Anna Drescher and conducted by Vladimir Yaskorski.

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Gaspare Spontini’s “Agnes von Hohenstaufen” before its revival in Erfurt

A German opera in a cosmopolitan spirit, that is Gaspare Spontini’s opera “Agnes von Hohenstaufen” premiered in 1827 in Berlin. Now the Theater Erfurt is taking on this spectacular work.

 

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Georg Anton Benda‘s “Medea” – first performance with Katharina Thalbach

The master concerts associated with the Heidenheim Opera Festival present a very special event this autumn: the well-known German actress Katharina Thalbach will play the (spoken) title role in Georg Anton Benda’s famous melodrama “Medea”, accompanied by the Cappella Aquileia under the direction of Marcus Bosch. The concert on 27 October in the Congress Zentrum Heidenheim, repeated on 28 October in Fürth, is at the same time the first performance using the critical new edition published by Bärenreiter. Benda’s “Medea” will be heard in the previously unknown late Mannheim version of 1784, which is in many respects more effective. The edition has been edited for the first time by Jörg Krämer for the series “OPERA – Spectrum of European Musical Theatre in Separate Editions.” (Picture: Eugène Delacroix, Medea kills her children (1862), Louvre Paris)

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Opera for the Peace. Jean-Philippe Rameau’s “Naïs”

“Naïs”, the lavish opera the French composer wrote for the Treaty of Aix-la-Chapelle, is now being published as part of the “Opera omnia Rameau”.

 

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A circle is completed. Handel’s “Berenice” in the Halle Handel Edition

A contemporary regarded Handel’s opera “Berenice” as just a patchwork, but it has many little gems to offer. In May “Berenice” will be performed again on the operatic stage in Halle.

 

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Deutsch wechsle zu deutsch

Music theatre

The vision of an opera as artistic credo. Franz Schreker’s “Christophorus” published in a new edition
A mother’s favourite on the imperial throne. Handel’s pasticcio opera “Alessandro Severo”
Typically French. The “Faust” works by Berlioz and Gounod
A crazy idea. Bohuslav Martinů’s comic opera “Alexandre bis”
“Leonore”: Beethoven’s unknown “Fidelio”. The new edition of the 1805 version
Can this turn out well? Love between enemies in Rameau’s “Les Fêtes de Ramire”
Orpheus and Euridice. The drama about the power of singing, about love and death
Counterpoint and theatrical instinct. Four new editions of works by Conti
Full of dramatic and psychological intensity Jean-Baptiste Lully’s opera “Psyché”
Gluck’s ballet music to “L’Île de Merlin”
Deadly Encounters. Miroslav Srnka’s new opera “Voice Killer”
Of wood and angels of lizards. Beat Furrer’s opera “DAS GROSSE FEUER” for Zurich
Joseph Haydn’s operas offer something for every taste
Celestial twin love. The first version of Rameau’s opera “Castor et Pollux”
“Simply brilliant!” Marco Comin edits the music of Francesco Bartolomeo Conti
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