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A journey of discovery. The first volume of the edition of Cavalli’s operas is published

No fewer than 28 operas by Francesco Cavalli, the famous Monteverdi pupil of his day, survive. The edition Francesco Cavalli – Opere reveals this early Baroque world once more.

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Scartazzini’s metaphysical thriller “Der Sandmann” in Frankfurt

Andrea Lorenzo Scartazzini’s opera Der Sandmann, after themes by E. T. A. Hoffmann, receives its German premiere on 18 September at the Frankfurt Opera, taking over from the Theater Basel Christof Loy's original production. Like his first work in the genre, WUT, Scartazzini’s second opera introduces an equally exciting subject to the operatic stage. The libretto is by Thomas Jonigk, who transfers the story of the Sandman to the present, setting it in the milieu of a budding writer who inhabits a world between delusion and reality. The conductor in Frankfurt is Hartmut Keil. Further performances after the premiere are scheduled for 24 and 30 September, 3, 8, 13 and 23 October 2016. – Der Sandmann has just been released on CD: Musiques Suisses, MGB 6288. (photo: Janis Huber)

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New Gluck productions in Vienna

2014 is also the 300th anniversary of Christoph Willibald Gluck’s birth. Two opera houses in the place where he worked are anticipating this anniversary with new productions: the first is at Theater an der Wien on 8 November with the rarely-performed Iphigenie en Aulide (Torsten Fischer/Alessandro de Marchi), followed by the Staatsoper, which stages the Paris version of Alceste beginning on 12 November (Christof Loy/Ivor Bolton).

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Rameau’s “Anacréon” in Oxford

In the run-up to the Rameau anniversary year in 2014 marking the 250th anniversary of the composer’s death, his rarely-performed one-act ballet Anacréon will be presented by vocal soloists, the Choir of Magdalen College and the renowned Orchestra of the Age of Enlightenment. Jonathan Huw Williams conducts the first performance of his new edition of the work, published in the Opera Omnia Rameau, in a concert performance on 9 November in the Sheldonian Theatre Oxford.

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Rossini’s “Maometto II” in Rostock

(22.11.2014) The Volkstheater Rostock is offering a special bel canto highlight on 9 January 2015, a concert performance of Rossini’s oper Maometto II using the new Critical Edition by Hans Schellevis. On the podium is the renowned English Rossini specialist David Parry, who conducted this seldom-performed opera last year at the Garsington Festival and has recorded it on CD.

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Jealousy in India. Handel’s “Poro” in the Urtext edition from the Halle Handel Edition

Handel set his opera Poro in distant India. However, the conflicts that develop in it are universally applicable and enabled Handel to express through it his entire compositional maturity.

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A complicated genesis. How Smetana gave “The Bartered Bride” its form

Even before its premiere, Smetana began to alter his comic opera The Bartered Bride, the beginning of a long series of transformations and versions. An introduction on the publication of newly-set performance material from Bärenreiter Praha.

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Music theatre

The vision of an opera as artistic credo. Franz Schreker’s “Christophorus” published in a new edition
A mother’s favourite on the imperial throne. Handel’s pasticcio opera “Alessandro Severo”
Typically French. The “Faust” works by Berlioz and Gounod
A crazy idea. Bohuslav Martinů’s comic opera “Alexandre bis”
“Leonore”: Beethoven’s unknown “Fidelio”. The new edition of the 1805 version
Can this turn out well? Love between enemies in Rameau’s “Les Fêtes de Ramire”
Orpheus and Euridice. The drama about the power of singing, about love and death
Counterpoint and theatrical instinct. Four new editions of works by Conti
Full of dramatic and psychological intensity Jean-Baptiste Lully’s opera “Psyché”
Gluck’s ballet music to “L’Île de Merlin”
Deadly Encounters. Miroslav Srnka’s new opera “Voice Killer”
Of wood and angels of lizards. Beat Furrer’s opera “DAS GROSSE FEUER” for Zurich
Joseph Haydn’s operas offer something for every taste
Celestial twin love. The first version of Rameau’s opera “Castor et Pollux”
“Simply brilliant!” Marco Comin edits the music of Francesco Bartolomeo Conti
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