Miloslav Kabeláč is one of the most important Czech composers of the 20th century. He can indisputably be described as the greatest symphonist of the generation after Bohuslav Martinů..

With the 5th Piano Concerto Jonathan Del Mar concludes his edition of the five piano concertos by Ludwig van Beethoven. Here, too, mistakes had to be removed which have remained unchallenged for two centuries.

The 4th Symphony and the Epic of Gilgamesh“: The Bohuslav Martinů Complete Edition begins with these two volumes. The aim of the edition is to make the Czech composer’s works, which are scattered throughout the world, available in exemplary editions.

Schubert’s music for the play Rosamunde is now one of his best-known compositions. But it was almost lost. The New Schubert Edition now presents the work in an authoritative version.

Claude Debussy composed his Six Épigraphes Antiques for piano duet, but despite their wealth of impressionistic orchestral colours he never orchestrated them himself. With this new orchestration, Andreas Luca Beraldo has created a worthy alternative to the popular orchestral version made by Ernest Ansermet in 1939.

(5.5.2015) Miroslav Srnka has composed moves for the Bavarian Radio Symphony Orchestra – orchestral studies on physical, musical and motor movement. Matthias Pintscher conducts the premiere on 8 May as part of “musica viva“. – South Pole (libretto: Tom Holloway), Miroslav Srnka’s major opera project about the conquest of the South Pole, will be premiered at the Bayerische Staatsoper in Munich on 31 January 2016, with a top-class line-up including Rolando Villazón and Thomas Hampson. The conductor is Kirill Petrenko, and the director is Hans Neuenfels. A blog https://suedpol.staatsoper.de contains information about everything to do with the production. (Photo: Miroslav Srnka and Tom Holloway in Munich)

Rudolf Kelterborn’s Ensemble-Buch V, a composition for six instruments, receives its premiere in Zurich. His series of “Books” for differently-scored ensembles explore a multifaceted variety of forms.