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A long-overdue project. Launch of the Complete Edition of Bohuslav Martinů’s works

The 4th Symphony and the Epic of Gilgamesh“: The Bohuslav Martinů Complete Edition begins with these two volumes. The aim of the edition is to make the Czech composer’s works, which are scattered throughout the world, available in exemplary editions.

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The musical moods of a shepherdess. Franz Schubert’s music for “Rosamunde”

Schubert’s music for the play Rosamunde is now one of his best-known compositions. But it was almost lost. The New Schubert Edition now presents the work in an authoritative version.

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Debussy’s “Six Épigraphes” in a new orchestration by Andreas Luca Beraldo

Claude Debussy composed his Six Épigraphes Antiques for piano duet, but despite their wealth of impressionistic orchestral colours he never orchestrated them himself. With this new orchestration, Andreas Luca Beraldo has created a worthy alternative to the popular orchestral version made by Ernest Ansermet in 1939.

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Miroslav Srnka – premieres in Munich

(5.5.2015) Miroslav Srnka has composed moves for the Bavarian Radio Symphony Orchestra – orchestral studies on physical, musical and motor movement. Matthias Pintscher conducts the premiere on 8 May as part of “musica viva“. – South Pole (libretto: Tom Holloway), Miroslav Srnka’s major opera project about the conquest of the South Pole, will be premiered at the Bayerische Staatsoper in Munich on 31 January 2016, with a top-class line-up including Rolando Villazón and Thomas Hampson. The conductor is Kirill Petrenko, and the director is Hans Neuenfels. A blog https://suedpol.staatsoper.de contains information about everything to do with the production. (Photo: Miroslav Srnka and Tom Holloway in Munich)

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Ensemble games. Rudolf Kelterborn on his latest compositions

Rudolf Kelterborn’s Ensemble-Buch V, a composition for six instruments, receives its premiere in Zurich. His series of “Books” for differently-scored ensembles explore a multifaceted variety of forms.

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Something which affects us all. A German premiere: “Totentanz” by Thomas Adès

The English composer Thomas Adès is fascinated by depictions of the dance of death The famous ‘Totentanz’ in Lübeck, destroyed in the war, is the starting point for his largest symphonic work to date.

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A fresh perspective: The new Urtext edition of Debussy’s “La Mer”

(1.10.2014) La Mer, composed between 1903 and 1905 has been revised and refined several times by Claude Debussy up until at least 1913. These corrections are found in a score which Debussy gave to his wife as a present for her private library in 1913. The new scholarly-critical edition draws on several important sources previously unavailable to musicologists, resulting in an array of new readings and corrections.

 

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Deutsch wechsle zu deutsch

Orchestra

“A masterpiece, but not a ballet”. A new edition of Maurice Ravel’s “La Valse”
Beethoven at Bärenreiter. A success story for thirty years
Handel’s lesser-known Anthems
Powerful and concise. The new edition of Franz Schubert’s Mass in G
A new depth and vitality. An orchestration of Antonín Dvořák’s “Gypsy Songs”
Fundamental human experiences. “Earth” by Andrea Lorenzo Scartazzini
The dreams of childhood. Ľubica Čekovská’s “Toy Procession” for Houston
Camille Saint-Saëns’ “Grande symphonie triomphale”
Gluck’s ballet music to “L’Île de Merlin”
Bruckner rarities. Further volumes in the New Anton Bruckner Complete Edition
“I will fear no evil ...” Two orchestral works by Josef Suk
A double concerto by Camille Saint-Saëns? About the new edition of his Septet
Transformations of piano sound. Beat Furrer’s Piano Concerto no. 2
No templates! Dieter Ammann’s Viola Concerto for Nils Mönkemeyer
Looking beyond his own horizons. Philipp Maintz is “Composer in Focus” in Aachen
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