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Opus 104. Dvořák’s Cello Concerto now available in an authoritative edition

Jonathan Del Mar, editor of the nine Beethoven symphonies, has now turned his attentions to Czech music. His edition of Antonín Dvořák’s Cello Concerto in B minor combines the advantages of a completely authoritative Urtext edition with all the practical requirements of soloist and orchestra.

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Problems solved. Beethoven‘s violin romances in Urtext editions

Beethoven’s two violin romances are popular early works which are a mainstay of the repertoire. Jonathan Del Mar has now created new editions of them, and as part of the process, included practical performing tips in the Urtext edition.

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A clarinet concerto by Schumann? New arrangements by Andreas N. Tarkmann

Schumann’s Violin Concerto in an arrangement for clarinet and orchestra and the Waldszenen for chamber orchestra are the latest works from arranger Andreas N. Tarkmann’s pen. Both shed new light on well-known works.

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In a beginning – “Bereshit” by Matthias Pintscher

Bereshit is Matthias Pintscher’s new composition for the Ensemble Intercontemporain. It takes as its starting point the first word of the Torah, the Old Testament. “In a beginning …” refers to the biblical creation myth. Matthias Pintscher’s composition for large ensemble deals with nothing less than the act of creation, the formation of the natural, from a “beginning of a beginning from absolute darkness and shapelessness ...” Bereshit receives its premiere in May 2013 by the St. Paul Chamber Orchestra conducted by the composer.

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Nocturne and Ballad. Rediscovered orchestral works by Bohuslav Martinů

Without any chance of a performance, Bohuslav Martinů composed two orchestral works, which were probably written in 1914/15. These have now been published by Bärenreiter Praha.

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Sparkling buffoonery. Georges Auric’s incidental music to Molière’s “Monsieur de Pourceaugnac”

After its much-acclaimed premiere at the Schwetzingen Festival in 1964 and a transfer to Hamburg, Georges Auric’s music to Molière’s Monsieur de Pourceaugnac disappeared into the archives. Now this extremely effective music is crying out to be rediscovered – either in concert performance or with the musical comedy.

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Andrea Lorenzo Scartazzini in Bern

(7.4.2013) The Berner Symphonieorchester performs the 2nd movement of Andrea Lorenzo Scartazzini’s Viaggiatori after Dante’s Divina Commedia on 16 and 17 May, conducted by Mario Venzago with the chorus and soloists of the Theatre in the Kultur-Casino Bern. In Viaggiatori for soloists, chorus and orchestra, Andrea Lorenzo Scartazzini has set to music “situations of being in transit, travel stories from places which, as it were, no (longer) exist – noisy and quiet places of imagination and philosophical conjecture”. The second movement is an elegy, an introverted mourning on words from Canto IV of Dante Alighieri’s Divine Comedy.

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Deutsch wechsle zu deutsch

Orchestra

“I will fear no evil ...” Two orchestral works by Josef Suk
A double concerto by Camille Saint-Saëns? About the new edition of his Septet
Transformations of piano sound. Beat Furrer’s Piano Concerto no. 2
No templates! Dieter Ammann’s Viola Concerto for Nils Mönkemeyer
Looking beyond his own horizons. Philipp Maintz is “Composer in Focus” in Aachen
Happy and playful: Václav Trojan’s “Fairy Tales” for accordion and orchestra
Meticulous revision. “Giselle” on a firm footing at last
Bedřich Smetana 200. “Má vlast” – complete set in new edition
“… and the blackbirds sing …”. A new orchestral work by Philipp Maintz
Miroslav Srnka’s “Is This Us?” for two horns and orchestra
Accurate in every detail: Saint-Saëns’ “Carnaval des animaux”
Bach through Mendelssohn's eyes. The "Passion Music" in a new edition
A journey of the soul with Goethe. Andrea Lorenzo Scartazzini’s “Anima”
The New Anton Bruckner Complete Edition
Sounding space for the existential. New orchestral works
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