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Excavating from the shards to the temple. An interview with Andrea Lorenzo Scartazzini

Commissioned by the Basel Sinfonietta, Andrea Lorenzo Scartazzini has composed Siegel his latest work for orchestra with voice. The premiere in Basel on 20 January 2008 with Claudia Barainsky (soprano) and the Basel Sinfonietta under Peter Hirsch was followed by the first German performance on 22 January in Gütersloh.

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New Works by Miroslav Srnka

For Miroslav Srnka, born in 1975 in Prague, the Czech tradition is extremely important, in the sense of a musical mother tongue which has shaped him, alongside the great masters of modern music of the twentieth century such as Boulez, Stockhausen, Ligeti, Messiaen and others. He lists Dvořák and Janáček in particular as such models, who introduced new qualities to music – characteristics like sound contrasts, colour, gesture and dynamic progression.

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Deutsch wechsle zu deutsch

Orchestra

“A masterpiece, but not a ballet”. A new edition of Maurice Ravel’s “La Valse”
Beethoven at Bärenreiter. A success story for thirty years
Handel’s lesser-known Anthems
Powerful and concise. The new edition of Franz Schubert’s Mass in G
A new depth and vitality. An orchestration of Antonín Dvořák’s “Gypsy Songs”
Fundamental human experiences. “Earth” by Andrea Lorenzo Scartazzini
The dreams of childhood. Ľubica Čekovská’s “Toy Procession” for Houston
Camille Saint-Saëns’ “Grande symphonie triomphale”
Gluck’s ballet music to “L’Île de Merlin”
Bruckner rarities. Further volumes in the New Anton Bruckner Complete Edition
“I will fear no evil ...” Two orchestral works by Josef Suk
A double concerto by Camille Saint-Saëns? About the new edition of his Septet
Transformations of piano sound. Beat Furrer’s Piano Concerto no. 2
No templates! Dieter Ammann’s Viola Concerto for Nils Mönkemeyer
Looking beyond his own horizons. Philipp Maintz is “Composer in Focus” in Aachen
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