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Mozart’s C Minor Mass in a new reconstruction. First performance with Kent Nagano

45 years after the publication of the C Minor Mass K. 427 in the New Mozart Edition, the work is being performed for the first time in a new edition on 14 and 15 April 2019 in the Elbphilharmonie Hamburg. This new edition reflects the latest state of research, whilst also responding to requirements for practical performance. The editor of the edition, which is published in collaboration with the Stiftung Mozarteum Salzburg, is the renowned musicologist there Ulrich Leisinger. He has completed the missing passages in Mozart’s fragmentary-surviving mass setting in a subtle and stylistically appropriate way. The first performance using this edition features top soloists, the ChorWerk Ruhr and the Philharmonisches Staatsorchester Hamburg under the direction of its chief conductor Kent Nagano.

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“mein gröstes werk”. The new edition of Beethoven’s “Missa solemnis”

Barry Cooper offers alternative variant readings in the new Bärenreiter edition, corrects uncertainties and adds a rediscovered composition with a close connection to the Mass.

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Many mysteries solved. Beethoven’s Leonore Overtures in a new critical edition

The source material for the three “Leonore” Overtures is extremely poor. Helga Lühning now sheds light on the different versions as far as sources allow.

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A distant perspective. Matthias Pintschers “NUR” for piano and ensemble

Contrasts between the metallic sound of the piano and the ensemble define Matthias Pintscher’s work for the Barenboim-Said Akademie and its founder.

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Overheating. Miroslav Srnka composes for the Los Angeles Philharmonic

What happens when there is too much of an expanding energy? Miroslav Srnka seeks to reflect musically on a physical process.

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Andrea Lorenzo Scartazzini composes introductory pieces to Mahler‘s symphonies

Mahler’s symphonies are “musical travelling companions” for him. Now Andrea Lorenzo Scartazzini has composed introductory pieces to the monumental works of Mahler for the Jena Philharmonic.

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“Stabat mater“ and "Cantus Simplicissimus”. Two new works by Ľubica Čekovská

Ľubica Čekovská has composed “Three fragments from Stabat mater” for the Bavarian Radio Chorus. This receives its premiere at a performance of the original version of Antonín Dvořák’s setting of the “Stabat mater” for soloists, chorus and piano op. 58 on 2 March 2019 in Munich. Three unaccompanied compositions complement Dvořák’s seven-movement original version with the verses which he did not set from the medieval poem of sorrow, forming a kind of lingering echo to Dvořák’s composition. The conductor is Howard Arman.
The idea for the title for Ľubica Čekovská’s new orchestral composition is a singing orchestral line which she has composed as a homage to her native land, eastern Slovakia. “Cantus Simplicissimus” was commissioned by the Slovak State Philharmonic in Košice, the capital of eastern Slovakia, the region where Humenné, the composer’s birthplace, also lies. The premiere will be conducted by Michael Zlabinger on 21 February 2019 in Košice.

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Deutsch wechsle zu deutsch

Orchestra

The New Anton Bruckner Complete Edition
Sounding space for the existential. New orchestral works
Gabriel Fauré and the Orchestra: A Re-evaluation
Sensual, doleful, emotional. Andrea Lorenzo Scartazzini's “Dies illa” for Basel
Saved from silence. The new setting of Heinz Winbeck’s 1st Symphony “Tu solus”
Infectious enthusiasm. In Memoriam: Carl Davis CBE
Ancient myth for the concert hall. Georg Friedrich Handel's "Semele"
The Triumph of Time and Truth. Handel's "Il trionfo del Tempo e della Verità"
In Honor of the Saints of Music. Handel's second Cecilian Ode
Johann Sebastian Bach’s St. John Passion of 1725
The individual and the collective. Miroslav Srnka’s “Superorganisms” for Tokyo
Ut Orpheus, now distributed by Alkor
Rethinking Mozart’s Requiem. Michael Ostrzyga discusses his completion of the work
A harpsichord concerto! Miroslav Srnka’s new work for Mahan Esfahani
Le retour à la vie – Summer Festivals 2021
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