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“Stabat mater“ and "Cantus Simplicissimus”. Two new works by Ľubica Čekovská

Ľubica Čekovská has composed “Three fragments from Stabat mater” for the Bavarian Radio Chorus. This receives its premiere at a performance of the original version of Antonín Dvořák’s setting of the “Stabat mater” for soloists, chorus and piano op. 58 on 2 March 2019 in Munich. Three unaccompanied compositions complement Dvořák’s seven-movement original version with the verses which he did not set from the medieval poem of sorrow, forming a kind of lingering echo to Dvořák’s composition. The conductor is Howard Arman.
The idea for the title for Ľubica Čekovská’s new orchestral composition is a singing orchestral line which she has composed as a homage to her native land, eastern Slovakia. “Cantus Simplicissimus” was commissioned by the Slovak State Philharmonic in Košice, the capital of eastern Slovakia, the region where Humenné, the composer’s birthplace, also lies. The premiere will be conducted by Michael Zlabinger on 21 February 2019 in Košice.

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An unfailing advocate for contemporary music. On the death of Oliver Knussen

Composer, conductor, music manager, educator: in Oliver Knussen, who died on 8 July 2018, the music world has lost one of its giants.

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Three questions to Charlotte Seither

For the Beethoven anniversary year 2020 Charlotte Seither has been commissioned to write a composition for chamber orchestra for the German Orchestra Competition. It is called “Ferne Begegnung”.

 

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Review – preview. Three questions to Miroslav Srnka

After the milestone of his opera “South Pole” for Munich, Miroslav Srnka is in demand as never before. A major portrait at the “Dialogues” Festival in Salzburg followed the première of his string quartet “future family”. New orchestral and music theatre compositions are on the horizon.

 

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Beat Furrer’s “nero su nero”: Swiss and German premieres

“nero su nero” (black on black), the latest orchestral composition by Siemens prizewinner Beat Furrer premiered in June in Vienna, is concerned with the nuancing of light: a continuum of sound from darkness to light builds up an immense tension by the most subtly differentiated means. The Swiss premiere takes place in Basel on 16 September 2018 conducted by Baldur Brönnimann with the Basel Sinfonietta, and the German premiere on 27 October 2018 with the Essen Philharmonic under the baton of Johannes Kalitzke.

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Ernst von Siemens Music Prize for Beat Furrer

Beat Furrer is to be awarded the Ernst von Siemens Music Prize 2018 for his life’s work. The award ceremony takes place on 3 May 2018 in the Prinzregententheater Munich.

 

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Thomas Daniel Schlee’s 60th birthday

His work as a composer, organist, musicologist and culture manager makes Thomas Daniel Schlee one of the most versatile personalities in musical life today. Olivier Messiaen gave his former pupil a brilliant endorsement: “Thomas Daniel Schlee is an open spirit and a cultured man. He loves music passionately. He is an outstanding organist and an extremely gifted composer. His works reflect a high intellectual striving and a true originality with regard to their ‘écriture’ and sound colours.” His forthcoming 60th birthday on 26 october is marked by numerous performances of his compositions, including the Austrian premiere of  Spes unica op. 72 by the RSO Vienna under Cornelius Meister on 19.10.2017 in the Konzerthaus Wien, and the first performance of his Suite op. 82 on 24.10.2017 in the Musikverein Vienna as well as Bis by the Bamberg Symphony under Manfred Honeck on 18. and 19.11.2017.

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Deutsch wechsle zu deutsch

Contemporary music

Fundamental human experiences. “Earth” by Andrea Lorenzo Scartazzini
The dreams of childhood. Ľubica Čekovská’s “Toy Procession” for Houston
The Cantata “Do Not Retreat!” and the “Jewish Prayer” by Miloslav Kabeláč
Deadly Encounters. Miroslav Srnka’s new opera “Voice Killer”
Transformations of piano sound. Beat Furrer’s Piano Concerto no. 2
Of wood and angels of lizards. Beat Furrer’s opera “DAS GROSSE FEUER” for Zurich
“Uncalculatedly beautiful”: Cassandra Miller
No templates! Dieter Ammann’s Viola Concerto for Nils Mönkemeyer
Looking beyond his own horizons. Philipp Maintz is “Composer in Focus” in Aachen
On the 100th anniversary of Giselher Klebe’s birth
Surface tension. Introducing Lisa Lillean
The orchestra plays the main role. Bruno Mantovani’s opera “Voyage d’automne”
A visionary view. Beat Furrer’s 70th birthday
Charlotte Seither’s dialogue opera “Fidelio schweigt”
“… and the blackbirds sing …”. A new orchestral work by Philipp Maintz
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