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“Pamina, wo bist du?” – An unknown duet from Mozart’s “Magic Flute”

A number from the Magic Flute which is unknown? Impossible! But there is a duet for Tamino and Papageno which was not part of the well-known sequence. It is now available again.

 

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A new approach to “Faust”. The dialogue versions of Charles Gounod’s opera

The volume in L’Opéra français series with the dialogue versions sheds light on the confusing compositional history of Gounod’s Faust and offers opera houses an attractive alternative.

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Incomparable riches. Jean-Baptiste Lully’s “Alceste” in the new Complete Edition

Lully’s Alceste represents a milestone in French Baroque opera. With the publication of a critical edition as part of the Complete Edition, the work is now available in an authoritative form for scholars and practical performing use.

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Music for Fontainebleau. The background to Rameau’s opera “Daphnis et Églé”

King Louis XV thinks highly of Rameau’s Daphnis et Églé (1753). But following performances in Fontainebleau, the pastorale héroïque was never staged again during Rameau’s lifetime. With this publication as part of the Opera omnia an authoritative edition is now available.

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Disguise and confusion. The edition of Francesco Cavalli’s masterpiece “L’Erismena”

Following its premiere in 1656 Francesco Cavalli’s L’Erismena was a great success in Venice. An English version was also created. The edition being published as part of the critical edition Francesco Cavalli – Opere offers opportunities for a rediscovery.

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Opera is dead, long live opera!

It’s very much alive, the art form of opera. Contemporary music theatre fills the theatres, like grand opera for a large audience.

 

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L’Opéra français. Musical theatre between revolution and modernism

The series L’Opéra français publishes historical-critical editions of French music theatre works, which offer an authoritative basis for performances.

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Deutsch wechsle zu deutsch

Music theatre

Typically French. The “Faust” works by Berlioz and Gounod
A crazy idea. Bohuslav Martinů’s comic opera “Alexandre bis”
“Leonore”: Beethoven’s unknown “Fidelio”. The new edition of the 1805 version
Can this turn out well? Love between enemies in Rameau’s “Les Fêtes de Ramire”
Orpheus and Euridice. The drama about the power of singing, about love and death
Counterpoint and theatrical instinct. Four new editions of works by Conti
Full of dramatic and psychological intensity Jean-Baptiste Lully’s opera “Psyché”
Gluck’s ballet music to “L’Île de Merlin”
Deadly Encounters. Miroslav Srnka’s new opera “Voice Killer”
Of wood and angels of lizards. Beat Furrer’s opera “DAS GROSSE FEUER” for Zurich
Joseph Haydn’s operas offer something for every taste
Celestial twin love. The first version of Rameau’s opera “Castor et Pollux”
“Simply brilliant!” Marco Comin edits the music of Francesco Bartolomeo Conti
Egyptian flair in Fontainebleau. Rameau’s opera “La Naissance d’Osiris”
“Carmen” under the magnifying glass. The potential of different versions
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