New productions of Manfred Trojahn’s operas can be seen in two musical capitals:  the first night of a new production of Limonen aus Sizilien takes place on 12 February 2017 at the Vienna Volksoper. “Drei italienischen Geschichten” to a libretto by Wolfgang Willaschek after Luigi Pirandello and Eduardo de Filippo is directed by Mascha Pörzgen. The conductor of the nine performances at the Kasino am Schwarzenbergplatz is Gerrit Prießnitz. Two weeks later at Zurich Opera, Hans Neuenfels directs the Swiss premiere of the music theatre work Orest. The first night on 26 February 2017 and six further performances (2.3., 7.3., 10.3., 12.3., 19.3., 24.3.2017) are conducted by Erik Nielsen; Georg Nigl performs the title role.

More than 150 years after its successful performance at the Paris Opéra, Halévy’s La Magicienne returns. This striking opera now deserves a new staged production.

Sieg der Schönheit (The Triumph of Beauty), Telemann’s first work for the Hamburg stage, captivates through an exciting and richly varied plot, and through music which spills over with a wealth of emotions. It can be rediscovered as a theatrical work in Osnabrück in June 2012.

[16.02.2012] This year also sees two little-known operas by Telemann put through their paces in the repertoire: the Theater Magdeburg presents the Singspiel Miriways on 10 March at the 21st Telemann Festtage in a staged premiere (production: Jakob Peters-Messer, conductor: Michi Gaigg), and the Theater Osnabrück ends its season on 6 June with a new production of Sieg der Schönheit (production: Markus Bothe, conductor: Michael Schneider). For both productions, new performance material has been specially produced, based on the Telemann Edition.

Miroslav Srnka’s Jakub Flügelbunt ... and Magdalena Rotenband. Or: Wie tief ein Vogel singen kann [How low a bird can sing] is a fairy tale for three singers and orchestra, commissioned by the Semperoper Dresden. Srnka has composed a piece which is both an entertaining story and a fable. The cast is bright-eyed and bushy-tailed and has the potential for great tragedy, as found in the heroes of comics: from the little bird Jakub, who wants to learn to fly, breaks a wing and learns that you can also achieve things with other strengths. Srnka, who also wrote the libretto, tells the tale in a concise, laconic language and an unsentimental style. The premiere on 15 December at the Semperoper is conducted by Tomáš Hanus.

Flavius Bertaridus is Telemann’s sole surviving opera seria. Following the first performance of the new edition in 2008 in Magdeburg, this highly emotive drama in the Italian style is being revived by the renowned Innsbruck Festival of Early Music from 10 August. In the co-production with the Hamburg State Opera, the director is Jens-Daniel Herzog and Alessandro de Marchi conducts the choir and orchestra of the Academia Montis Regalis.

The Bregenz Festival features the Czech composer Miroslav Srnka this year: his chamber opera Make No Noise (World Premiere Munich 2011) will be performed on 17 and 19 August 2016 in a new production by Johannes Erath, with Dirk Kaftan conducting. The roles of the two protagonists Hannah and Joseph, who meet on an oil platform and find each other through their speechlessness, will be sung by soprano Measha Brueggergosman and baritone Holger Falk in the first Austrian performance. Ensemble Modern plays the orchestral part. On 21 August Srnka’s Eighteen Agents for 19 Strings will be performed by the Vorarlberg Symphony Orchestra, conducted by Gérard Korsten. (Photo: Vojtěch Havlík)