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Opera for the Peace. Jean-Philippe Rameau’s “Naïs”

“Naïs”, the lavish opera the French composer wrote for the Treaty of Aix-la-Chapelle, is now being published as part of the “Opera omnia Rameau”.

 

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A circle is completed. Handel’s “Berenice” in the Halle Handel Edition

A contemporary regarded Handel’s opera “Berenice” as just a patchwork, but it has many little gems to offer. In May “Berenice” will be performed again on the operatic stage in Halle.

 

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Ready for the stage Handel’s serenata “Parnasso in festa” in the Halle Handel Edition

Handel’s serenata “Parnasso in festa” is a true pasticcio with many re-uses from works composed earlier. Nevertheless, a staged performance, as is planned for the Handel Festival Halle in Bad Lauchstädt is extremely worthwhile.

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Opera with a thread. Handel’s “Arianna in Creta”

A confusing plot with a happy ending – that’s Baroque opera, that’s Handel. And it’s the same with “Arianna in Creta”. The Halle Handel Edition of the work offers a whole range of possibilities for the stage.

 

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“Pamina, wo bist du?” – An unknown duet from Mozart’s “Magic Flute”

A number from the Magic Flute which is unknown? Impossible! But there is a duet for Tamino and Papageno which was not part of the well-known sequence. It is now available again.

 

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A new approach to “Faust”. The dialogue versions of Charles Gounod’s opera

The volume in L’Opéra français series with the dialogue versions sheds light on the confusing compositional history of Gounod’s Faust and offers opera houses an attractive alternative.

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Incomparable riches. Jean-Baptiste Lully’s “Alceste” in the new Complete Edition

Lully’s Alceste represents a milestone in French Baroque opera. With the publication of a critical edition as part of the Complete Edition, the work is now available in an authoritative form for scholars and practical performing use.

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Deutsch wechsle zu deutsch

Music theatre

„Rusalka“ – finally revised. The new Urtext Edition of Dvořák’s Opera
Rameau’s masonic opera “Zoroastre” in the 1756 version
Not just “Carmen”: the new editorial project “Bizet’s Other Operas”
Conquest opera - Gaspare Spontini’s “Fernand Cortez”
Pyotr Tchaikovsky’s “Eugene Onegin” from Bärenreiter
Surprise of surprises – Rameau’s “Surprises de l’amour”
“La clemenza di Tito” – even with social distancing
Theatrically rich with varied chorus and dance scenes - Telemann’s opera for Hamburg “Die wunderbare Beständigkeit der Liebe oder Orpheus”
Magnificent music and drama - A conversation with René Jacobs about Telemann’s opera “Orpheus”
Jean-Philippe Rameau’s “Les Fêtes d’Hébé ou Les Talents lyriques”
Erotic, mystical, nightmarish - Jules Massenet's opera “Thaïs” available for the first time in a scholarly-critical edition
“Singularity” – Miroslav Srnka’s Space Opera
Charles Gounod’s “Faust“ in the dialogue version of 1859 at Oper Köln
Le retour à la vie – Summer Festivals 2021
Premiere in Bregenz: Ľubica Čekovská’s “Impresario Dotcom”
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