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Premiere in Bregenz: Ľubica Čekovská’s “Impresario Dotcom”

Theatre as a reflection of the world: Carlo Goldoni’s “L‘impresario delle Smirne” is a turbulent piece about the opera business. The Bregenz Festival is staging a contemporary version by Ľubica Čekovská and the librettist Laura Olivi in an updated version, adapted to the Corona situation. The opera “Impresario Dotcom” is about today. Six characters – five singers and an agent – seek a financial backer. The protagonists are called Olympia, Violetta, Carmen, Tamino and Orfeo, and come from all over the world. The inherent tragedy of the characters in their roles resonates in each case. “We all play roles in our lives”, says Ľubica Čekovská, “and it’s about the question of who we are, who the people behind these are.” The premiere of this special opera will be conducted by Christopher Ward, in a production by Elisabeth Stöppler on 20 August 2020 (and on 21 August) in the Festspielhaus Bregenz.

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“My music is fundamentally political in expression” - Paul Dessau’s operatic output

The new production of the opera “Lanzelot” in Weimar was hailed as a “sensation” and a “rediscovery of the first rank”. Four other operas by Paul Dessau await a revival on the stage.

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Less theatrical, but more successful – Rameau’s “Dardanus”

The new edition of the opera “Dardanus” by Jean-Philippe Rameau in the version from May 1744 presents the work in the definitive form intended by the Composer.

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An army commander torn between two women. Handel’s opera “Alessandro”

For his opera “Alessandro” Handel was able to engage the best singers of his day in 1726. Today too, the work, with its fictitious plot, continues to offer ample subject matter for a bravura opera evening.

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Purified Beauty. Handel’s first oratorio in the Halle Handel Edition

Goodness triumphs, and Beauty is purified: Handel’s allegorical oratorio “La Bellezza ravveduta nel trionfo del Tempo e del Disinganno” is an extremely attractive work, thanks to its melodic richness and captivating arias, duets and quartets.

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A vocal challenge, then as now. Gluck’s “Atto di Bauci e Filemone”

In keeping with the Austrian-Spanish wedding festivities, the old couple Philemon and Baucis become a young couple. Gluck’s one act “Atto di Bauci e Filemone” with its bravura arias deserves to be revived.

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George Frideric Handel’s “Fernando” in Halle

The first concert performance of the fragmentary surviving early version of the opera „Sosarme“ planned for 1 April 2020 at the London Handel Festival has unfortunately had to be cancelled. Handel fans are now hoping to hear „Fernando“ on 5 June at Handel Festival Halle in the Freylinghausen Saal of the Francke Foundation with soloists and the orchestra of Opera Settecento conducted by Leo Durate. Performance material specially created for this occasion from the Halle Handel Edition will be used for the first time.

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Deutsch wechsle zu deutsch

Music theatre

„Rusalka“ – finally revised. The new Urtext Edition of Dvořák’s Opera
Rameau’s masonic opera “Zoroastre” in the 1756 version
Not just “Carmen”: the new editorial project “Bizet’s Other Operas”
Conquest opera - Gaspare Spontini’s “Fernand Cortez”
Pyotr Tchaikovsky’s “Eugene Onegin” from Bärenreiter
Surprise of surprises – Rameau’s “Surprises de l’amour”
“La clemenza di Tito” – even with social distancing
Theatrically rich with varied chorus and dance scenes - Telemann’s opera for Hamburg “Die wunderbare Beständigkeit der Liebe oder Orpheus”
Magnificent music and drama - A conversation with René Jacobs about Telemann’s opera “Orpheus”
Jean-Philippe Rameau’s “Les Fêtes d’Hébé ou Les Talents lyriques”
Erotic, mystical, nightmarish - Jules Massenet's opera “Thaïs” available for the first time in a scholarly-critical edition
“Singularity” – Miroslav Srnka’s Space Opera
Charles Gounod’s “Faust“ in the dialogue version of 1859 at Oper Köln
Le retour à la vie – Summer Festivals 2021
Arcadia breathes a sigh of relief. Handel’s “Il pastor fido” in the Halle Handel Edition
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