With her new orchestral piece, Ľubica Čekovská recalls the playful consciousness of our childhood. The first performance takes place in Houston at the end of November.

Overshadowed by the well-known 1st Symphony by Camille Saint-Saëns, and undiscovered until recently is a youthful composition by the French composer, a “Grande symphonie triomphale” which has now been published.

With the newly-edited ballet interlude, Gluck’s opéra-comique “L’Île de Merlin, ou Le Monde renversé” can now be performed again in its entirety.

The New Anton Bruckner Complete Edition continues following the 2024 anniversary year, with the publication of the Adagio cut from the Eighth, and the first version of the Fourth.

In terms of its reputation, Josef Mysliveček’s Concerto in C major deserves to enjoy the same status as the concertos by Haydn and Boccherini. Now, an authoritative new edition provides the basis for performances.

Commissioned by the Czech Philharmonic, Bärenreiter Praha has produced new performance material for two orchestral works by Josef Suk (1874–1935) – “Epilogue” op. 37 and “The Legend of Dead Victors Op 35b” (Legenda o mrtvých vítězích)”.

Despite several recordings, Camille Saint-Saëns’s Septet in E flat major op. 65 for piano, trumpet and string quintet of 1880/1881 remains something of a chamber music rarity because of its unusual scoring – rather like the E flat major Septet op. 20 by Beethoven. But is it “chamber music” at all?