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A new take on the New World, Dvořák’s IX. Symphony edited by Jonathan Del Mar

Following on from the Seventh and Eighth Symphonies Jonathan Del Mar has now edited Dvořák’s Ninth. Many uncertainties have now been clarified.

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Bohemian music

Editions from Smetana’s “Má vlast” (My Country) and Dvořák’s “Sedm skladeb pro malý orchestr” (Seven Pieces for Small Orchestra)

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Mozart’s C Minor Mass in a new reconstruction. First performance with Kent Nagano

45 years after the publication of the C Minor Mass K. 427 in the New Mozart Edition, the work is being performed for the first time in a new edition on 14 and 15 April 2019 in the Elbphilharmonie Hamburg. This new edition reflects the latest state of research, whilst also responding to requirements for practical performance. The editor of the edition, which is published in collaboration with the Stiftung Mozarteum Salzburg, is the renowned musicologist there Ulrich Leisinger. He has completed the missing passages in Mozart’s fragmentary-surviving mass setting in a subtle and stylistically appropriate way. The first performance using this edition features top soloists, the ChorWerk Ruhr and the Philharmonisches Staatsorchester Hamburg under the direction of its chief conductor Kent Nagano.

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“mein gröstes werk”. The new edition of Beethoven’s “Missa solemnis”

Barry Cooper offers alternative variant readings in the new Bärenreiter edition, corrects uncertainties and adds a rediscovered composition with a close connection to the Mass.

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Many mysteries solved. Beethoven’s Leonore Overtures in a new critical edition

The source material for the three “Leonore” Overtures is extremely poor. Helga Lühning now sheds light on the different versions as far as sources allow.

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A distant perspective. Matthias Pintschers “NUR” for piano and ensemble

Contrasts between the metallic sound of the piano and the ensemble define Matthias Pintscher’s work for the Barenboim-Said Akademie and its founder.

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Overheating. Miroslav Srnka composes for the Los Angeles Philharmonic

What happens when there is too much of an expanding energy? Miroslav Srnka seeks to reflect musically on a physical process.

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Deutsch wechsle zu deutsch

Orchestra

Ancient myth for the concert hall. Georg Friedrich Handel's "Semele"
The Triumph of Time and Truth. Handel's "Il trionfo del Tempo e della Verità"
In Honor of the Saints of Music. Handel's second Cecilian Ode
Johann Sebastian Bach’s St. John Passion of 1725
Premieres of Works by Andrea Lorenzo Scartazzini
The individual and the collective. Miroslav Srnka’s “Superorganisms” for Tokyo
Ut Orpheus, now distributed by Alkor
A new attempt. Michael Ostrzyga‘s completion of Mozart‘s Requiem
A harpsichord concerto! Miroslav Srnka’s new work for Mahan Esfahani
Le retour à la vie – Summer Festivals 2021
“Super flumina Babylonis”. A rediscovered choral work by Camille Saint-Saëns
Andrea Lorenzo Scartazzini’s orchestral work to complement Mahler’s 4th Symphony
“A prayer for the native country” Bohuslav Martinů’s “Field Mass” in Urtext
Short, but effective - Camille Saint-Saëns’ “Oratorio de Noël”
Felix Mendelssohn’s symphony-cantata “Lobgesang” in a new Urtext edition
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