The circumstances surrounding the composition of Handel’s opera Lucio Cornelio Silla are not clear. But because of its interesting characters and outstanding music, it deserves a new chance. The Handel Festival Halle is reviving the work this summer.

(1.10.2014) Handel's manifold oratorios and cantatas have been published since 1955 in the Halle Handel Edition (Series I). Popular works as well as lesser known vocal compositions will fill 32 volumes. For many of these works, vocal scores and performance material is available. 

(1.10.2014) Three works have just been newly published in the Complete Edition of Jean-Philippe Rameau, celebrating the 250 anniversary of his death: Dardanus 1739, the opera Le Temple de la Gloire after Voltaire as well as Les Fêtes de l’Hymen et de l’Amour, his ballet music from 1747.

(10.6.2014) Performances of Franz Schubert’s most important opera continue to be rare events. So this year’s Salzburg Festival project to stage Fierabras in a highly promising new production and encourage debate about it once more is all the more remarkable. The director is Peter Stein, and conductor Ingo Metzmacher. The musicians of the Vienna Philharmonic will be playing from performance material from the New Schubert Edition specially produced for this production by Bärenreiter-Verlag. The first performance in the Haus für Mozart is on 13 August.

(31.5.2014) The 2014 Handel Festival in Halle again sees two first performances using the Halle Handel Edition (HHA). This year’s new opera production on 6 June features Handel’s seldom-performed Arminio of 1737, conducted by Bernhard Forck and directed by Nigel Lowery. The oratorio Solomon follows a week later, performed on 11 June in the Marktkirche. Top soloists, the Kölner Kammerchor and the Collegium Cartusianum perform, conducted by Peter Neumann. In addition, the Halle Handel Edition (HHA) features prominently in this year’s programme, with Amadigi, Riccardo Primo, Giove in Argo and a revival of the 2013 production of Almira.

Gluck’s beginnings as a composer of opera seria are now overshadowed by his ‘reform’ operas. Demofoonte, now being published in the Gluck Complete Works, offers an excellent opportunity for theatres to become more familiar with Gluck’s early works.

Solomon, Handel’s late oratorio in English, sparkles not only because of its stirring plot, but also through musical tableaus of great variety. Now this major work has been published as part of the Handel Complete Edition.