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Changes in light. Beat Furrer’s “sinfonia concertante”

With his “sinfonia concertante”, Beat Furrer pursues one of the central ideas of his clarinet quintet “intorno al bianco” and reinterprets it within the orchestral soundscape. The first performance takes place in Basel on 7 November 2026.

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Smoke and flames. Miroslav Srnka’s new Cello Concerto “Smoke”

After the great success of “Superorganisms” in Tokyo, the NHK Symphony Orchestra and several other orchestras have jointly commissioned Miroslav Srnka to compose a new Cello Concerto. In it, the interplay between solo cello and orchestra is devoted to the phenomenon of smoke.

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The vision of an opera as artistic credo. Franz Schreker’s “Christophorus” published in a new edition

A milestone of 20th century opera: in good time for the 150th anniversary of Franz Schreker’s birth in 2028 a new critical edition of his opera “Christophorus” is in preparation. His “Vision einer Oper” is at the same time an affirmation and a gripping drama.

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Fragility transformed into sound. A new vocal work by Beat Furrer

In his new work “Litanei” Beat Furrer condenses verses by Ingeborg Bachmann creating an intense sonic space oscillating between wordlessness, the search for language and a cry.

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On the way to a beautiful sound. In memoriam Thomas Daniel Schlee

“Memory is something sacred”, wrote Thomas Daniel Schlee in a work commentary. “In order to keep it alive, humanity has invented ritual, has invented repetition imbued with deep meaning, for in memory, knowledge transcends the confines of time.” He was a composer whose multifaceted body of work was characterised not only by masterly musical development and a sensuousness of sound, but was also always contained within an intellectual framework which stretched far beyond purely technical-musical thinking. “Thomas Daniel Schlee is an open spirit and a cultured man. He loves music passionately”, is how his teacher Olivier Messiaen summed him up: “He is an outstanding organist and an extremely gifted composer. His works reflect a high intellectual striving and a true originality with regard to their ‘écriture’ and sound colours.”

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Fundamental human experiences. “Earth” by Andrea Lorenzo Scartazzini

Andrea Lorenzo Scartazzini has been invited by the Bremer Philharmoniker to write a work for their 200th anniversary. It addresses the earthly in the sense of an approach to human life here.

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The dreams of childhood. Ľubica Čekovská’s “Toy Procession” for Houston

With her new orchestral piece, Ľubica Čekovská recalls the playful consciousness of our childhood. The first performance takes place in Houston at the end of November.

 

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Deutsch wechsle zu deutsch

Contemporary music

The Cantata “Do Not Retreat!” and the “Jewish Prayer” by Miloslav Kabeláč
Deadly Encounters. Miroslav Srnka’s new opera “Voice Killer”
Transformations of piano sound. Beat Furrer’s Piano Concerto no. 2
Of wood and angels of lizards. Beat Furrer’s opera “DAS GROSSE FEUER” for Zurich
“Uncalculatedly beautiful”: Cassandra Miller
No templates! Dieter Ammann’s Viola Concerto for Nils Mönkemeyer
Looking beyond his own horizons. Philipp Maintz is “Composer in Focus” in Aachen
On the 100th anniversary of Giselher Klebe’s birth
Surface tension. Introducing Lisa Lillean
The orchestra plays the main role. Bruno Mantovani’s opera “Voyage d’automne”
A visionary view. Beat Furrer’s 70th birthday
Charlotte Seither’s dialogue opera “Fidelio schweigt”
“… and the blackbirds sing …”. A new orchestral work by Philipp Maintz
Miroslav Srnka’s “Is This Us?” for two horns and orchestra
A journey of the soul with Goethe. Andrea Lorenzo Scartazzini’s “Anima”
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