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New works by Charlotte Seither

Charlotte Seiter has composed “zu welcher stunde” [“at which hour”] for orchestra for a musical journey through time by the Mitteldeutsche Kammerphilharmonie. The title of the concert in Stendal on 28 April 2022 is “1831 – Die Abschiedsstunde” [“The parting hour”], and combines the Seither premiere with works by Haydn, Krommer and Pleyel. “Paintings” for five-part chamber choir is a commission for the anniversary concert of the LandesJugendChor Rheinland-Pfalz, and receives its world premiere on 23 April in the Christuskirche Mainz conducted by Jan Schumacher. Choral music is an important focus of the composer’s work: “klanghalt”, a particularly appealing project, was written for the St. Gallen Chamber Choir. A spatial composition for vocal ensemble and three percussionists will be premiered in the cloister of the St Katharina Monastery, conducted by Katharina Jud on 21 May 2022.
(Photo: Marko Bussmann)

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Contemporary music

The individual and the collective. Miroslav Srnka’s “Superorganisms” for Berlin
A harpsichord concerto! Miroslav Srnka’s new work for Mahan Esfahani
Beat Furrer explores the secret life of things
Premieres by Andrea Lorenzo Scartazzini
“Sixty years in the groove: Dieter Ammann”
Music out of music. Philipp Maintz’s new ensemble work and chorale preludes
Spannungen. Matthias Pintscher premieres and first performances
Torsten Rasch’s “Die andere Frau” – first performance in Dresden
Charlotte Seither member of the European Academy of Sciences
Beat Furrer: premieres in Donaueschingen and Vienna
“Singularity” – Miroslav Srnka’s Space Opera
Tireless progress. The death of the Swiss composer Rudolf Kelterborn
Andrea Lorenzo Scartazzini’s orchestral work to complement Mahler’s 4th Symphony
Premiere in Bregenz: Ľubica Čekovská’s “Impresario Dotcom”
Gold, silver, purple. Matthias Pintscher completes his “Shirim” cycle
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