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The vision of an opera as artistic credo. Franz Schreker’s “Christophorus” published in a new edition

A milestone of 20th century opera: in good time for the 150th anniversary of Franz Schreker’s birth in 2028 a new critical edition of his opera “Christophorus” is in preparation. His “Vision einer Oper” is at the same time an affirmation and a gripping drama.

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A mother’s favourite on the imperial throne. Handel’s pasticcio opera “Alessandro Severo”

With “Alessandro Severo” Handel takes up the story of the Roman Emperor Severus Alexander. Thanks to the new volume in the Halle Handel Edition, this pasticcio opera is now available in an authoritative edition for future performances – far beyond the 1,800th anniversary of the original event.

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Typically French. The “Faust” works by Berlioz and Gounod

Goethe’s “Faust” fascinated poets, composers and artists – and well beyond Germany. The works by Hector Berlioz and Charles Gounod are the best-known adaptations.

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A crazy idea. Bohuslav Martinů’s comic opera “Alexandre bis”

Bohuslav Martinů did not complete work on his cheerful one-act opera for the World Exposition in 1937 on time. And so it was to take another quarter century before the premiere of “Alexandre bis” took place. Now there is a new Urtext edition.

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“Leonore”: Beethoven’s unknown “Fidelio”. The new edition of the 1805 version

“Leonore”, the earliest version of “Fidelio” premiered in 1805, contains especially interesting differences, particularly in the characterisation of Leonore and Florestan.

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Can this turn out well? Love between enemies in Rameau’s “Les Fêtes de Ramire”

Performed only once in 1745, but full of exquisite music waiting for rediscovery: Rameau’s “Les Fêtes de Ramire”.

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Orpheus and Euridice. The drama about the power of singing, about love and death

Hardly any other myth is as closely associated with the history of music theatre as that of the singer Orpheus. Of the many works on this subject, some which stand out are available from Bärenreiter · Alkor.

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Music theatre

Counterpoint and theatrical instinct. Four new editions of works by Conti
Full of dramatic and psychological intensity Jean-Baptiste Lully’s opera “Psyché”
Gluck’s ballet music to “L’Île de Merlin”
Deadly Encounters. Miroslav Srnka’s new opera “Voice Killer”
Of wood and angels of lizards. Beat Furrer’s opera “DAS GROSSE FEUER” for Zurich
Joseph Haydn’s operas offer something for every taste
Celestial twin love. The first version of Rameau’s opera “Castor et Pollux”
“Simply brilliant!” Marco Comin edits the music of Francesco Bartolomeo Conti
Egyptian flair in Fontainebleau. Rameau’s opera “La Naissance d’Osiris”
“Carmen” under the magnifying glass. The potential of different versions
The orchestra plays the main role. Bruno Mantovani’s opera “Voyage d’automne”
Meticulous revision. “Giselle” on a firm footing at last
Dramatically effective. Franz Schubert’s works for music theatre
“Most agreeable”. A peasant’s son is the hero in Handel’s “Giustino”
From London to Brunswick. Handel’s opera “Siroe” in the Urtext edition
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