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Deadly Encounters. Miroslav Srnka’s new opera “Voice Killer”

The desire to regain the voice of his mother is the motive for an American soldier to murder three women. Miroslav Srnka has made a fascinating opera from this. “Voice Killer” receives its premiere in June 2025 at MusikTheater an der Wien.

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Of wood and angels of lizards. Beat Furrer’s opera “DAS GROSSE FEUER” for Zurich

From a radically different world: the layers in Beat Furrer’s opera “DAS GROSSE FEUER” (“The Great Fire”), based on the novel “Eisejuaz” by Sara Gallardo, are many and diverse. The world premiere takes place in Zurich in March 2025.

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Joseph Haydn’s operas offer something for every taste

Fantastic plots and exuberant, imaginative music. This is what distinguishes Joseph Haydn’s operas. Inspiration for expansions to the repertoire – and not only for the 2032 Haydn year.

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Celestial twin love. The first version of Rameau’s opera “Castor et Pollux”

The 1737 version of Jean-Philippe Rameau’s opera “Castor et Pollux” overflows with a cornucopia of ideas in both plot and music. The reconstructed opera is now available in the Complete Edition.

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“Simply brilliant!” Marco Comin edits the music of Francesco Bartolomeo Conti

Francesco Bartolomeo Conti is a well-known unknown. Amongst cognoscenti he is regarded as one of the most exciting and important composers of his period – the Viennese Baroque. But he is far more than an insiders’ tip.

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Egyptian flair in Fontainebleau. Rameau’s opera “La Naissance d’Osiris”

Jean-Philippe Rameau’s “La Naissance d’Osiris” was performed just twice in the year 1754. Now this short work, with its highly attractive music, can be performed again in the version of the first performance.

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“Carmen” under the magnifying glass. The potential of different versions

Bizet pure – The score of “Carmen” freed from retouches: an interview with the editor Paul Prévost on the differences between the versions and editions.

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Music theatre

“Leonore”: Beethoven’s unknown “Fidelio”. The new edition of the 1805 version
Can this turn out well? Love between enemies in Rameau’s “Les Fêtes de Ramire”
Orpheus and Euridice. The drama about the power of singing, about love and death
Counterpoint and theatrical instinct. Four new editions of works by Conti
Full of dramatic and psychological intensity Jean-Baptiste Lully’s opera “Psyché”
Gluck’s ballet music to “L’Île de Merlin”
The orchestra plays the main role. Bruno Mantovani’s opera “Voyage d’automne”
Meticulous revision. “Giselle” on a firm footing at last
Dramatically effective. Franz Schubert’s works for music theatre
“Most agreeable”. A peasant’s son is the hero in Handel’s “Giustino”
From London to Brunswick. Handel’s opera “Siroe” in the Urtext edition
Two gods woo a nymph. The reconstruction of Rameau’s “Io”
Without Concessions. The original “Cavalleria rusticana”
Charlotte Seither’s dialogue opera “Fidelio schweigt”
The Neapolitans were amazed. Gluck’s “La clemenza di Tito”
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