The 1737 version of Jean-Philippe Rameau’s opera “Castor et Pollux” overflows with a cornucopia of ideas in both plot and music. The reconstructed opera is now available in the Complete Edition.

Francesco Bartolomeo Conti is a well-known unknown. Amongst cognoscenti he is regarded as one of the most exciting and important composers of his period – the Viennese Baroque. But he is far more than an insiders’ tip.

Jean-Philippe Rameau’s “La Naissance d’Osiris” was performed just twice in the year 1754. Now this short work, with its highly attractive music, can be performed again in the version of the first performance.

Bizet pure – The score of “Carmen” freed from retouches: an interview with the editor Paul Prévost on the differences between the versions and editions.

Bruno Mantovani’s opera “Voyage d’automne” receives its premiere in Toulouse  In his third opera, Bruno Mantovani tackles a controversial theme with a highly-developed feeling for drama and hypnotic intensity: the collaboration of French intellectuals with the National Socialists.

The time of doubtful passages in Adolphe Adam’s world-famous ballet is over. The new edition clarifies a great deal and returns to the original version.

Franz Schubert’s stage works have never become firmly established in the repertoire. And yet they contain interesting examples of Romantic opera aesthetics. And with the 2028 Schubert anniversary year in mind, they offer a variety of opportunities for productions.