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“Carmen” under the magnifying glass. The potential of different versions

Bizet pure – The score of “Carmen” freed from retouches: an interview with the editor Paul Prévost on the differences between the versions and editions.

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The orchestra plays the main role. Bruno Mantovani’s opera “Voyage d’automne”

Bruno Mantovani’s opera “Voyage d’automne” receives its premiere in Toulouse  In his third opera, Bruno Mantovani tackles a controversial theme with a highly-developed feeling for drama and hypnotic intensity: the collaboration of French intellectuals with the National Socialists.

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Meticulous revision. “Giselle” on a firm footing at last

The time of doubtful passages in Adolphe Adam’s world-famous ballet is over. The new edition clarifies a great deal and returns to the original version.

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Dramatically effective. Franz Schubert’s works for music theatre

Franz Schubert’s stage works have never become firmly established in the repertoire. And yet they contain interesting examples of Romantic opera aesthetics. And with the 2028 Schubert anniversary year in mind, they offer a variety of opportunities for productions.

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“Most agreeable”. A peasant’s son is the hero in Handel’s “Giustino”

A strong plot, and fabulously imaginative music: but until now Handel’s “Giustino” has not been one of his most frequently-performed operas. With the new edition this could all change.

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From London to Brunswick. Handel’s opera “Siroe” in the Urtext edition

“Siroe” was not one of the great successes of Handel’s London period. But the opera, with its captivating music, is well worth a rediscovery. The authoritative edition from the Complete Edition offers the basis for this.

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Two gods woo a nymph. The reconstruction of Rameau’s “Io”

Should an unfinished Rameau opera be reconstructed or left to languish in the dust of libraries? Of course “Io” had to be made performable on the stage! And a performance has now taken place.

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Deutsch wechsle zu deutsch

Music theatre

Deadly Encounters. Miroslav Srnka’s new opera “Voice Killer”
Of wood and angels of lizards. Beat Furrer’s opera “DAS GROSSE FEUER” for Zurich
Joseph Haydn’s operas offer something for every taste
Celestial twin love. The first version of Rameau’s opera “Castor et Pollux”
“Simply brilliant!” Marco Comin edits the music of Francesco Bartolomeo Conti
Egyptian flair in Fontainebleau. Rameau’s opera “La Naissance d’Osiris”
Without Concessions. The original “Cavalleria rusticana”
Charlotte Seither’s dialogue opera “Fidelio schweigt”
The Neapolitans were amazed. Gluck’s “La clemenza di Tito”
The benevolent conqueror. Handel’s opera “Scipione”
Searching for the true “Carmen”. New edition sets standards
Not just “Carmen”: the new editorial project “Bizet’s Other Operas”
Ingenuity and a feel for drama. A new edition of Charpentier’s “Medée”
Faithful to the composer’s intentions. A new edition of Purcell’s “Dido and Aeneas”
A milestone in the early history of opera. Agostino Steffani’s “Henrico Leone”
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