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Nobody marries and the villains aren’t punished. Francesco Cavalli’s opera “Orione”

Cavalli’s Orione is great fun, precisely because the opera differs from what we might expect from a mid-17th century work. The Urtext edition published as part of the Cavalli Complete Edition by Bärenreiter offers a starting-point for entertaining performances.

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Handel’s opera “Lucio Cornelio Silla” before its rediscovery

The circumstances surrounding the composition of Handel’s opera Lucio Cornelio Silla are not clear. But because of its interesting characters and outstanding music, it deserves a new chance. The Handel Festival Halle is reviving the work this summer.

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"la bianca notte" – Beat Furrer's new opera for Hamburg

(30.4.2015) On 10 May Beat Furrer’s new opera la bianca notte / die helle nacht after Dino Campana will be premiered in Hamburg. The poet, who narrates in order to survive, becomes the inspiration for a music theatre work which deals with the question of identity. The textual basis are the Canti orfici by Dino Campana, who allowed the futuristic ideas of his time to flow into poetic texts full of suggestive power. The conductor at the Hamburg Staatsoper is Simone Young.

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Zdeněk Fibich’s “The Bride of Messina" in Magdeburg

(25.2.2015) Theater Magdeburg is exploring new territory with the first German performance of an opera by the Czech composer Zdeněk Fibich (1850–1900). Nevěsta messinská (The Bride of Messina) receives its first performance on 14 March 2015 in the opera house in Magdeburg. Alongside Smetana and Dvořak, Fibich is regarded as one of the three most important Czech opera composers of the Romantic period.  In his opera, based on Schiller’s tragedy, he follows the intentions of the classical theatre reformer, and combines dramatic choral scenes with convincing role portrayals and the leitmotivic-psychological interpretation of characters and situations.

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German premiere of Krenek’s “Kehraus um St. Stephan” in Gießen

(28.4.2015) In 1930 Ernst Krenek wrote his opera Kehraus um St. Stephan, in which he sketched an unsparing panorama of the time and its people, in the “manner of Karl Kraus”, as he later described it. The piece was taken up, then in turn rejected and finally only premiered in 1990. The “satire with music” to Krenek’s own libretto reveals a social collection of curios from the years following the lost First World War, when the opportunity for a revolution was thrown away, economic troubles and political uncertainties had a devastating effect and a society of black marketeers and post-war winners developed. The work receives its German premiere at the Stadttheater Gießen on 16 May 2015. The musical director is  Florian Ziemen, and director is Hans Hollmann.

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Musical adventure in the 20th century. Bohuslav Martinů’s operatic œuvre

(1.10.2014) A cosmopolitan and Czech - in his manifold work for music theatre Bohuslav Martinů always stays rooted in his native country. In his greatest compositions - from Juliette up to Mirandolina - he created a masterful art of characterization.

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Baroque à la française: Three works by Rameau in new Urtext editions

(1.10.2014) Three works have just been newly published in the Complete Edition of Jean-Philippe Rameau, celebrating the 250 anniversary of his death: Dardanus 1739, the opera Le Temple de la Gloire after Voltaire as well as Les Fêtes de l’Hymen et de l’Amour, his ballet music from 1747.

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Deutsch wechsle zu deutsch

Music theatre

Deadly Encounters. Miroslav Srnka’s new opera “Voice Killer”
Of wood and angels of lizards. Beat Furrer’s opera “DAS GROSSE FEUER” for Zurich
Joseph Haydn’s operas offer something for every taste
Celestial twin love. The first version of Rameau’s opera “Castor et Pollux”
“Simply brilliant!” Marco Comin edits the music of Francesco Bartolomeo Conti
Egyptian flair in Fontainebleau. Rameau’s opera “La Naissance d’Osiris”
“Carmen” under the magnifying glass. The potential of different versions
The orchestra plays the main role. Bruno Mantovani’s opera “Voyage d’automne”
Meticulous revision. “Giselle” on a firm footing at last
Dramatically effective. Franz Schubert’s works for music theatre
“Most agreeable”. A peasant’s son is the hero in Handel’s “Giustino”
From London to Brunswick. Handel’s opera “Siroe” in the Urtext edition
Two gods woo a nymph. The reconstruction of Rameau’s “Io”
Without Concessions. The original “Cavalleria rusticana”
Charlotte Seither’s dialogue opera “Fidelio schweigt”
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